Leonardo was just a young pupil of Verrocchio (see exhibit #6) when he executed this piece, and his genius is already apparent. The clothing is voluminous yet delicate. The sfumato technique is used here; sfumato is the gradation of tone in color to generate the illusion of a smoggy environment (used also in the Mona Lisa). Through this, the center landscape seems very far away. Mary sits in front of a dark corner, framed by the bricks on the wall. Note how all of the angles point toward her, highlighting her importance as she respectfully accepts the devine message. I think just the right half of the picture alone is a standout. And what a neat prie-dieu (the small table for the Bible)! Also located at the Uffizi, this piece is amazing to look at in person. The only criticism is on Mary's right arm. Does it look too long and a bit awkward to you?
The Uffizi - seen from across the Arno River.
The Uffizi - seen from the inner plaza...
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